Me
搜索"Me" ，找到 3616部影视作品
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希尔万·肖默
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1955年，60岁的马塞尔·帕尼奥尔被《ELLE》杂志总编辑邀请写专栏，讲述他的童年。帕尼奥尔想要抓住这个机会回归自己的艺术创作基础：写作。他意识到自己的记忆力在衰退，而且对他最近的两本剧作的反响感到深深的失望，开始怀疑自己继续钻研作品的能力。而此时，小马赛尔——年轻版的他自己如同魔法一般出现了。一老一小两个帕尼奥尔将一起检视他不凡的人生，重现他最珍视的际遇、回忆。影片聚焦一趟半个世纪中的横跨法国的旅程，从巴黎到帕尼奥尔的家乡普罗旺斯，聚焦构建起我们的现代社会的50年辉煌历史。
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Lorne Townend,Peter Chinn,Stephen Marsh,Hannah James
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内详
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现今科技先进，上太空不再是稀奇的事情；但我们对这个神秘国度又有多少认识？在地球的种种自然危机迫近时，人类更迫切探索其他星球，期望找到另一个适合人类居住的地方。承继第一辑的好评，第二辑的《宇宙解码》邀请最具权威的专家，分析最新的研究资料，并且结合最逼真的动画作出解说，与观众继续探索宇宙的种种奥秘。在浩瀚无边的宇宙中，布满各种星体；地球是否唯一存在生命的星球？对比其他星球，为何只有地球看似充满生机？节目将会围绕八个不同的主题，包括火山、风暴、磁场、运行轨迹等，深入发掘地球和各个星体的差别，以及探索外星存在生命的可能性。- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - ...
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David Milesi
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Claudio Nervi, an eclectic director, and Lucia Neve, a disillusioned producer, are looking for a new actress who could help them with their latest feature film, a project that is undoubtedly adrift. During a meeting with one of the most promising candidates, Stella, the girl will reveal them that the script of the movie is pretty similar to a story she knows well: the story of how she died.
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Francis Bordeleau
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Anna (Catherine Brunet, FARADOR, IN MEMORIAM), a delinquent young woman, lives in the shadows of Montreal with her brother and their friends. The group survives by committing low-level crimes, but she truly thrives by detailing her story in journals. One day, the young woman narrowly escapes a violent altercation with a local gangster after a robbery gone wrong. The toll is hea...
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Caleb Meurer,Ron Hughart,安东尼·廖伊
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《美国老爸》是一部美国动画情景喜剧，由塞思·麦克法兰、麦克·巴克和Matt Weitzman为福克斯广播公司创作。该剧围绕史密斯一家展开，这是一个功能失调的家庭，成员包括父母斯坦和弗朗辛，以及他们的孩子——青春期的史蒂夫和新世纪嬉皮士海莉。其他主要角色包括海莉的瘾君子丈夫杰夫·费舍尔；家庭宠物克劳斯（一个拥有鱼身体的男人）；以及罗杰，一个被斯坦从政府手中救下并藏在家中的阁楼里的外星人。故事设定在华盛顿特区都市区的虚构小镇兰利瀑布，这是对中央情报局总部所在地弗吉尼亚州兰利镇的一种戏仿。与姊妹剧《恶搞之家》不同，《美国老爸！》不使用插叙笑料，而是更侧重于情景幽默和非逻辑桥段 [3]。《美国老爸》第四季于2008年9月28日在美国首播，共20集，单集片长约24分钟。导演包括Caleb Meurer、Ron Hughart和安东尼·廖伊，编剧团队包括塞思·麦克法兰、麦克·巴克、Matt Weitzman、瑞克·维纳和肯尼·施瓦茨。主要配音演员包括塞思·麦克法兰、温迪·夏尔、斯科特·格瑞恩斯、蕾切尔·麦克法兰、迪·布莱德利·贝克等。该季在IMDb的编号为tt1293234 。剧集的核心家庭成员包括斯坦、弗朗辛、史蒂夫、海莉、杰夫、克劳斯和罗杰。在第四季中，罗杰的伪装大师特质得到进一步展现，制作人员赋予了他更多的伪装身份，以便让他能够更多地走出房子参与剧情
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乌穆特·苏巴西
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Ayşe, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自：https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster